Monday, 10 February 2014

Vincent Van Gogh and the South


Night Cafe, 1888.

Early careers
  • Born 1853, Zundert, South West Holland.
  • Oldest child of a Calvinist pastor and the daughter of a bookbinder.
  • He had uncles with art connections: Uncle Vincent (art supplies and gallery); Uncle Cent (art dealer); Uncle Hein (art shops); Uncle Cor (art company).
  • 1869, aged 16 becomes a clerk in art dealers Goupil and Cie. Works to 73 in Hague and then till 76 in London.
  • Works as a volunteer teacher in England then as a bookseller in Holland. By 1877 (aged 24) however he decides to study for the ministry in his father’s church.

Becoming an artist.
  • Jan 1879 named acting Pastor of Wasmes, near Mons. Gives up the comforts of parsonage to help the disadvantaged miners.
  • June 79, his contract was not re-newed. He begins a period of wandering until August 1880 he decides to study art.
  • His mixture of formal and informal art education culminated in a two year stay in Paris 1886-8. (33-4 years old)

Heroes and influence

  • Millet, Rousseau, Diaz and Breton.
  • The illustrators of the Graphic and English realist artists.
  • Japanese art at Pere Tanguy.
  • Seurat, Gauguin, Lautrec, Pissarro: all shown at the Eight and final Impressionist Exhibition which opened a few weeks after Vincent arrived in Paris.
  • Adolphe Monticelli.

Useful Chronologies



Van Gogh Museum FAQ: the illness and ear problem
Recent medical abstracts can be found at The Illness of Vincent van Gogh, Dietrich Blumer, M.D. (Am J Psychiatry 2002; 159:519–526) and The Illness of Vincent van Gogh, Wilfred Niels Arnold (Journal of the History of the Neurosciences 2004, Vol. 13, No. 1, pp. 22–43)

Read
Gogh, V. van, Leeuw, R. de, 1997. The letters of Vincent van Gogh. Penguin Books, London.
Gayford, M., 2007. The yellow house: Van Gogh, Gauguin, and nine turbulent weeks in Arles. Viking, London.
Orton, F., Pollock, Griselda, 1996. Avant-gardes and partisans reviewed. Manchester Univ. Press [u.a.], Manchester.
Clark, T.J., 1999. The painting of modern life: Paris in the art of Manet and his followers. Princeton University Press, Princeton, N.J. pp.25-31
Smith, P., 1995. Impressionism: beneath the surface. Harry N. Abrams, Inc., New York. Conclusion: Impressionism as Art.

Surf
http://www.vangoghletters.org/vg/

Visit
http://www.vangoghmuseum.nl
http://www.nationalgallery.org.uk/the-sunflowers-feature

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